Four armed Vishnu
|Mantra||Om Namo Bhagavate Vasudevaya|
|Weapon||Sudarshana Chakra and the Kaumodaki|
The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of—and beyond—the past, present and future, the creator and destroyer of all existences, one who supports, sustains and governs the Universe and originates and develops all elements within.
In the Puranas, Vishnu is described as having the divine colour of water filled clouds, four-armed, holding a lotus, mace, conch (shankha) and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human perception.
The Purana also describe each of the Dasavatara of Vishnu. Among these ten principal avatara described, nine have occurred in the past and one will take place in the future, at the end of Kali Yuga. In the commentary of creator Brahma in Vishnu Sahasranamam, he refers to Vishnu as "Sahasrakoti Yuga Dharine", which means that these incarnations take place in all Yugas in cosmic scales. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma and vanquish negative forces as also to display His divine pastimes in front of the conditioned/fallen souls. In almost all Hindu denominations, Vishnu is either worshiped directly or in the form of his ten avatara, such as Rama and Krishna.
The Trimurti (English: ‘three forms’; Sanskrit: trimūrti) is a concept in Hinduism "in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Vishnu the maintainer or preserver, and Shiva the destroyer or transformer." These three deities have been called "the Hindu triad" or the "Great Trinity". Of the three members of the Trimurti, the Bhagavata Purana, which espouses the Vaishnavite viewpoint, explains that the greatest benefit can be had from Vishnu.
- 1 Name
- 2 Characteristics
- 3 Vishnu in Smriti and Shruti
- 4 Theological attributes
- 5 Relation with Shiva
- 6 Relations with other deities
- 7 Iconography
- 8 Avatars
- 9 Thousand names of Vishnu
- 10 See also
- 11 Footnotes
- 12 References
- 13 External links
The name Viṣṇu is Rigvedic, denoting a minor deity personifying light and the Sun, often invoked as a companion of Indra, in four instances (especially in RV 6.69) in a dvandva compound, Indraviṣṇu. The name has no certain etymology; it is unattested in Iranian (but Iranian Rašnu is perhaps an indication that the name existed in Indo-Iranian and was replaced in Iranian). The most common interpretation is as vi-snu- from vi- "apart, across" and the zero grade of sānu "summit, ridge, mountain-top", as in "he who steps across / spreads out the mountains", c.f. RV 1.62.5c (of Indra):
- vi bhūmyā aprathaya indra sānu ("Thou Indra, hast spread out the earth's high ridges");
but connection to the verbal root viṣ "to be active, work, perform" has also been suggested.
The traditional explanation of the name Viṣṇu involves the root viś, meaning "to settle" (cognate with Latin vicus, English -wich "village"), or also (in the Rigveda) "to enter into, to pervade", glossing the name as "the All-Pervading One". An early commentator on the Vedas, Yaska, in his Nirukta, defines Vishnu as vishnu vishateh "one who enters everywhere", and yad vishito bhavati tad vishnurbhavati "that which is free from fetters and bondages is Vishnu."
Vishnu itself is the second name in the Vishnu Sahasranama, the thousand names of Vishnu. Adi Sankara in his commentary on the sahasranama states derivation from viś, with a meaning "presence everywhere" ("As he pervades everything, vevesti, he is called Visnu",). Adi Sankara states (regarding Vishnu Purana, 3.1.45): "The Power of the Supreme Being has entered within the universe. The root viś means 'enter into.'" Swami Chinmayananda, in his translation of Vishnu sahasranama further elaborates on that verse: "The root Vis means to enter. The entire world of things and beings is pervaded by Him and the Upanishad emphatically insists in its mantra 'whatever that is there is the world of change.' Hence, it means that He is not limited by space, time or substance. Chinmayananda states that which pervades everything is Vishnu."
The number of auspicious qualities of Vishnu as the supreme God are countless, with the following six qualities being the most important:
- Jñāna (Omniscience), defined as the power to know about all beings simultaneously.
- Aishvarya (Sovereignty, derived from the word Ishvara), in sanskrit means opulence.
- Shakti (Energy), or power, which is the capacity to make the impossible possible
- Bala (Strength), which is the capacity to support everything by will and without any fatigue
- Vīrya (Vigor), which indicates the power to retain immateriality as the supreme being in spite of being the material cause of mutable creations
- Tejas (Splendor), which expresses His self-sufficiency and the capacity to overpower everything by His spiritual effulgence
Vishnu in Smriti and Shruti
In the Vedas
In the Rigveda, Vishnu is mentioned 93 times. He is frequently invoked alongside other deities, especially Indra, who he helps in killing Vritra, and with whom he drinks Soma. His distinguishing characteristic in the Vedas is his association with light. This association is found because the lord is indifferent from the Divine Bhramjyoti, which is the cause of material as well as spiritual effulgence.
Two Rigvedic hymns in Mandala 7 are dedicated to Vishnu. In 7.99, Vishnu is addressed as the god who separates heaven and earth. This characteristic he shares with Indra, reflecting an earlier Indo-European myth where a heroic creator god first "cuts" or slays the primeval dragon, and then separates the two halves, thus creating the inhabitable world between heaven and earth. In Greek mythology, these functions became attached to separate deities, especially Cronus and Dionysus. In Vedic mythology, the feat of slaying the dragon becomes the main characteristic of Indra, while the separation of heaven and earth becomes associated with Vishnu.
Hymn 7.100 refers to the celebrated 'three steps' of Vishnu by which he strode over the universe and in three places planted his step. The 'Vishnu Sukta' (RV 1.154) says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to men and the third is in the heights of heaven (sky). This last place is described as Vishnu's supreme abode in RV 1.22.20:
- The princes evermore behold / that loftiest place where Visnu is / Laid as it were an eye in heaven. (trans. Griffith)
Griffith's "princes" are the sūri, either "inciters" or lords of a sacrifice, or priests charged with pressing the Soma. The verse is quoted as expressing Vishnu's supremacy by Vaishnavites.
Though such solar aspects have been associated with Vishnu by tradition as well as modern-scholarship, he was not just the representation of the sun, as he traverses in his strides both vertically and horizontally.
In hymns 1.22.17, 1.154.3, 1.154.4 he strides across the earth with three steps, in 6.49.13, 7.100.3 strides across the earth three times and in 1.154.1, 1.155.5,7.29.7 he strides vertically, with the final step in the heavens. The same Veda also says he strode wide and created space in the cosmos for Indra to fight Vritra. By his stride he said to have made dwelling for men possible, the three being a symbolic representation of its all-encompassing nature. This all-enveloping nature and benevolence to men were to remain the enduring attributes of Vishnu. As the triple-strider he is known as Tri-vikrama and as Uru-krama for the strides were wide.
The general view is that Vedas place Indra in considerably superior position to Vishnu. As per the English translations of the Rigveda, Vishnu always extols and lauds the Majesty of Indra. He sings the praise of Indra. The eighth mandala of Rigveda clearly says that Vishnu derived his energy from Indra. The three steps of Vishnu was possible only because he derived his energy from Indra.
- "When Viṣṇu, through thine(Indra's) energy, strode wide those three great steps of his,Then thy two beautiful Bay Steeds carried thee on.". (Rigveda 8:12:27)
- "Visnu, Varuna, Mitra sing thy (indra's) praise: In thee the Maruts' company have great delight".(Rigveda 8:15:9)
- "This majesty of his, Visnu extols and lauds, making the stalk that gives the meath flow forth with might" (Rigveda 10:113:2)
- "Step forth with wider stride, my comrade Visnu; make room, Dyaus, for the leaping of the lightning.Let us slay Vrtra, let us free the rivers let them flow loosed at the command of Indra" (Rigveda 8:89:12 ( Several hymns in Vedas explicitly subordinates Vishnu.
However, Jan Gonda, the late Indologist, states that Vishnu, although remaining in the background of Indra's exploits, contributes by his presence, or is key to Indra's success. Vishnu is more than a mere companion, equal in rank or power to Indra, or sometime the one who made Indra's success possible.
Moreover, even when Vishnu is described as subordinate to Indra, such a description is found in only the hymns to Indra, but in a kathenotheistic religion like that of the Rigveda, each god, for the time being, is supreme in the mind of the devotee. But in the Vaishnava canon the 'Vishnu' who is subordinate to Indra is identified as being none other than the Sun god Suryanarayana or Surya, who has another name Vishnu, and he is different from the Supreme God Sreeman Narayana or Narayana who is referred to as Vishnu by Vaishnavites. Vishnu is not a mere sacrificial deity; he is a God who lives in the highest celestial region, compared with those who live in the atmospheric or terrestrial regions; Moreover, Vishnu is a god who is content with mere prayer, unlike almost all of the other gods who receive sacrificial offerings such as havis or soma.
However, in the Rig Vedic texts, the deity or god referred to as Vishnu is none other than the Sun God who also bore the name Suryanarayana, who in turn was also called Vishnu. So the 'Vishnu' referred to in the Rig Veda is none other than the Sun God Suryanarayana or Surya and he in turn, is entirely different from the Vishnu who is Sreeman Narayana (the Lord/Consort of Sree or Lakshmi, who is also the central deity in 'Vishnu Puranam', 'Vishnu Sahasranamam', 'Purusha Sooktham' (wherein he is identified very clearly not as the Sun or Suryanarayana (the purveyor of the skies), but as Narayana or Vishnu and further identified as the Supreme Lord who has Sreedevi (Lakshmi) and Bhoodevi (Goddess Earth or Bhoomi) as his wives/consorts ("Hreeshcha-tey-Lakshmeeshcha-patnyauh"). The Vaishnavites make a further distinction by extolling the qualities of Vishnu or Narayana by highlighting him as a personality or entity much different from other deities like Siva, Brahma or the minor deity Surya the Sun who also bears the name Vishnu.
In the Puranas, Indra is described as having the status of the Lord or ruler/administrator of God's abodes i.e. Kailasha, Vaikuntha, Swarga and Naraka where the celestial beings resided with humans inhabiting Bhoomi or Earth. This is indicative of his position being higher or having overlordship over other celestial beings including the Sun God Suryanarayana (Surya), who also bears the name Vishnu, who hence, is a completely different entity who is not to be mixed or confused . However, despite having that status, Indra frequently becomes proud and haughty. This act of his incurs the displeasure of his creators namely Brahma, who along with Siva the Destroyer God start by giving boons to demons or Asuras like Hiranyaksha, Hiranyakashyapu, Ravana, who are able to defeat Indra in wars between the Devas and Asuras. Indra in turn has no option but to take advice of the sages who say that no one can save him but the Protector God Sreeman Narayana or Vishnu the Supreme Lord. Indra goes and prays before Vishnu for protection and the Supreme Lord obliges him by taking avatara or birth or generating himself on Earth in various forms i.e. first as amphibean, water-born being namely the Matsya or fish, then as a creature capable of living on land as well as water, i.e. the Koorma avatara (Tortoise), then half-man, half-animal namely Varaha (the Pig-faced/human-bodied Lord) and Narasimha (Lord with Lion face and claws and human body). Later the same Narayana or Vishnu appears as full-fledged human being in the form of Vamana (the short-heighted person), Ram, Krishna, Balarama or Buddha and finally as Kalki avataram for performing his task of protecting his devotees from the Asuras or anti-God, anti-religious entities.
The Vaishnava canon claims absolute clarity in identification of the Supreme Lord Vishnu (Sreeman Narayana or Narayana) from the Vishnu of the Rig Veda who they claim is none other than the Sun God Suryanarayana, who incidentally is also bears a secondary name Vishnu. In the Vaishnava canon, Lord Vishnu or Sreeman Narayana who is their Supreme God. They believe the Vishnu of the Rig Vedas to be the Sun God Surya or Suryanarayana, who was also called and worshipped as Vishnu during the Rig Vedic period. This is borne out by the fact that neither are there no temples of the Vedic God Indra, nor is there any pronounced importance followed by worship of Indra in the Hindu religion, which practice was discontinued after Indra's defeat at the hands of the demons and Asuras and his forced abdication from the throne. Following this Vishnu takes his avatarams on earth and saves mankind, this according to the Vaishnavite canon led to Vishnu taking the place of the Supreme God with him not being worshipped and eulogized by Vaishnavites but also getting recognized by Shaivites and the Smarthas. A direct consequence of this was the almost complete absence of Indra from Hindu temples from the deities being considered fit for worshipping. A glaring example being quoted in support of non-worship of deities like Indra or non-prominence of other major Gods like Shiva, Brahma (who is in any case not having more than a temple or two on earth) by Vaishnavites is the fact of their Supreme Lord Vishnu or Narayana taking avatarams to defeat and kill either the demons or Asuras like Hiranyaksha, Hiranyakashyipu or Ravana who have vanquished Indra himself and/or demons who have empowered themselves by pleasing and getting boons from other powerful Gods like Brahma and Shiva. These demons received boons making them virtually indestructible by any person. But Narayana or Vishnu outwits them by appearing as half-human half-animal before demons like Hiranyakashyipu (who had taken a boon that he will not be killed at any specific time of the day or by any human or animal) or Ravana (who becomes invincible by taking a boon from God Shiva that he will not be killed by any Deva - a celestial being with godly powers) who is considered the greatest among devotees of Shiva gets slayed by Vishnu, who appears before him as a mere human being i.e. Lord Rama, the son of Dasharatha.
The Vaishnava canon thus claims supremacy of Vishnu even among the Gods by quoting his victories over or killing of those very powerful entities who are themselves devotees of other Gods like the creator Brahma or the destroyer Shiva. The Vaishnava canon finally distinguishes Narayana or the Supreme Lord Vishnu from other deities like Shiva the Destroyer or Brahma the creator, first by pointing out the accepted iconography or sculptures of Vishnu in reclining position as having the creator Brahma sprouting or emerging from Vishnu's navel i.e. showing Brahma himself as having been created by Vishnu out of his own person. This is interpreted as the creator being created by his own creator i.e. Brahma himself being created by Vishnu and going on to create the Universe on the instructions of Vishnu. Secondly, there is the act of the creator Brahma and the destroyer God Shiva go on to give boons to demons or Asuras and as a
consequence of granting boons to evil beings, they divest themselves of their powers to eliminate them, which are now vested with the Supreme Lord among the Gods i.e. Vishnu or [[Narayana) also called Sreeman Narayana, who takes various avatars or forms to come to earth to slay or defeat those demons. This is again interpreted as the triumph of Lord Vishnu or Narayana because it would mean that Shiva and Brahma can only grant boons to good beings and since they cannot distinguish between the two types of beings, they have to entrust this responsibility to the God who protects all good beingsthey have no option but to leave all devotees under the care of the Protector Lord, i.e. the Supreme Lord of the Vaishnava canon, i.e. Lord Narayana or Vishnu. Third and lastly, the Vaishnava canon makes the final distinction in addition to the above two qualities of Lord Vishnu or Narayanato reinforce his pre-eminence and supremacy among all the Gods because Sreeman Narayana or Vishnu in his myriad forms never ever grants a wish to evil beings, as is done according to the Puranas by both the creator God Brahma or the destroyer God Shiva. So they regard Sreeman Narayana or Vishnu as a protector God who makes a clear distinction between bad and good beings and never favours or grants boons or wishes to evil entities as would be done by both Shiva and Brahma and is thus regarded by them as the only God worthy of worship as the preferred deity.
The above actions of Vishnu automatically led to the lowering of status of Indra among Hindu deities and leads directly to the ascendancy of Vishnu or Narayana, as per the Vaishnava canon.
In the Brahmanas
| This section does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2009)
In the Rigveda, Shakala shakha: Aitareya Brahmana Verse 1 : "Agnir vai devānām avamo Viṣṇuḥ paramas, tadantareṇa sarvā anyā devatā" declares that Agni is the lowest or youngest god and Vishnu is the greatest and the oldest God. In the Brahmanas, the supremacy of Lord Vishnu is clearly announced. Here He is repeatedly addressed as "Yajnapati" or the one whom all the sacrifices are meant to please. Even if the sacrifices are offered to the demigods, Lord Vishnu is the one who accepts the sacrifice and allots the respective fruits to the performer. There is mention of one such incident where a demonic person performs a sacrifice by abducting the rishis (Sanskrit name for sages who constantly meditate by chanting God's name) forcefully. The sacrifice was meant to bring about the destruction of Indra. But the rishis,who used to worship Indra as a demigod were intelligent enough to alter a single pronunciation of the ved-mantra. The purpose of the entire sacrifice was reversed. When the fruit of the sacrifice was given, when the demon was on the verge of dying, he clearly calls out to lord Vishnu,whom he addresses as Supreme Godhead and "the father of all living entities including himself". Aitareya Brahmana: 1:1:1 mentions Vishnu as the Supreme God. But in the Vaishnava canon, in different ages, with Vishnu in different forms, his relationship with the 'asuras' or evil-beings including demons (Hiranyaksha and Hiranyakashyipu were considered demons) has always been adversarial, with the asuras always causing harm or killing good beings including sages and devotees of Vishnu, with the sages and 'devas' (celestial beings including Indra - not considered a God in Vaishnava canon) doing penance and calling out to Lord Vishnu for protection. In response to the call of devotees and being described as the one and only saviour of the world, Sreeman Narayana or Vishnu, being the Protector God, always obliges by taking avatarams (incarnations as Narasimha, Rama etc.) to finally vanquish and eliminate the asuras. In the Vaishnava canon, Narayana or Lord Vishnu is clearly defined as one who has never given or granted any boons to the asuras (to clearly distinguish him from other Gods like Shiva and Brahma, who granted boons to demons or evil beings), but he is the only God called upon to save good beings by defeating or killing the very evil beings who became powerful or even invincible after being granted boons by the destroyer Shiva and the creator Brahma.
Sayana writes that Aitareya Brahmana 1-1-1 ("Agnir vai devānām avamo Viṣṇuḥ paramas,tadantareṇa sarvā anyā devatā") doesn't indicate any hierarchy among gods. Even in Rigveda Samhita, where avama and parama are not applied to denote rank and dignity, but only to mark place and locality. In Rigveda 1:108:9,: yadindrāghnī avamasyāṃ pṛthivyāṃ madhyamasyāṃ paramasyāmuta sthaḥ |, i.e., in the lowest place, the middle (place), and the highest (place). Agni, the fire, has, among the gods, the lowest place; for he resides with man on the earth ; while the other gods are either in the air, or in the sky. Vishnu occupies the highest place ; for he represents (in the Rigveda) the sun in its daily and yearly course. The words 'avama' and 'parama' is to be understood as 'First' and 'Last' respectively. To prove this meaning to be the true one, Sayana adduces the mantra (1,4. As'val. Sr. S. 4, 2), agnir mukham prathamo devatanam samgathanam uttamo Vishnur asit, i.e., Agni was the first of the deities assembled, (and) Vishnu the last. In the Kausitaki-Brahmana (7, 1) Agni is called avarardhya (instead of avama), and Visnu parardhya(instead of parama),i.e., belonging to the lower and higher halves (or forming the lower and higher halves). The Vishnu Purana gives tremendous importance to the worship of Vishnu, but mentions that sacrifices to Sreeman Narayana are to begin only with both the lighting of fire or 'Agni', pouring of sacrificial offerings to Narayana or Vishnu in 'Agni' so that those offerings reach the Supreme God Vishnu and are accepted by him. Worship of Lord Vishnu through Yagnyas (or Homams) and other rituals, will not bear fruit or the desired result in case 'Agni' is not given any role in the process.
Prof.Muller says "Although the gods are sometimes distinctly invoked as the great and the small, the young and the old (Rv. i. 27. 13), this is only an attempt to find the most comprehensive expression for the divine powers, and nowhere is any of the gods represented as the slave of others. It would be easy to find, in the numerous hymns of the Veda, passages in which almost every single god is represented as supreme and absolute" .
In the Upanishads
The oldest of the Upanishads, that form the philosophical culmination of the Vedas, are dated to the 7th or 8th centuries BCE. The upanishads,right from Gopal tapani upanishad to the Brhad ranya upanishad state His Godhood.The Katha-upanishad, describes Vishnu in supremacy -
He who has no understanding, who is unmindful and always impure, never reaches that place, but enters into the round of births. But he who has understanding, who is mindful and always pure, reaches indeed that place, from whence he is not born again. But he who has understanding for his charioteer (intellect), and who holds the reins of the mind, he reaches the end of his journey, and that is the highest place of Vishnu.
In the Bhagavad Gita
In the Bhagavad Gita, Krishna, an avatar of Vishnu, teaches Arjuna the nature of the Supreme being and the different processes of Yoga, ultimately culminating in devotional surrender, similar to that of the catursloki of the Bhagavata Purana.
- "I am the goal, the sustainer, the master, the witness, the abode, the refuge, and the most dear friend. I am the creation and the annihilation, the basis of everything, the resting place and the eternal seed."
- "But what need is there, Arjuna, for all this detailed knowledge? With a single fragment of Myself I pervade and support this entire universe."
- "If hundreds of thousands of suns were to rise at once into the sky, their radiance might resemble the effulgence of the Supreme Person in that universal form."
- "Abandon all varieties of religion and just surrender unto Me. I shall deliver you from all sinful reactions. Do not despair."
In the Viṣṇu Smṛti
The Viṣṇu Smṛti (700-1000CE) is one of the latest books of the Dharmaśāstra tradition of Hinduism and also the only one which does not deal directly with the means of knowing dharma, focusing instead on the bhakti tradition and requiring daily puja to the god Viṣṇu. It is also known for its handling of the controversial subject of the practice of sati (the burning of a widow on her husband's funeral pyre). The text was not actually composed by the sage Viṣṇu himself, but rather by an individual or group writing much after his death. This group brought together a collection of all of the commonly known legal maxims which were attributed to the sage Viṣṇu into one book as the Indian oral culture began to be recorded more formally.
Vishnu takes form as an all-inclusive deity, known as Purusha or Mahāpurusha, Paramātma [Supreme Soul], Antaryāmi [In-dweller], and he is the Sheshin [Totality] in whom all souls are contained.
Vishnu is the only Bhagavan (which in Sanskrit means "possessing bhāga Divine Glory"), as declared in the Bhagavata 1.2.11 in the verse: "vadanti tat tattva-vidas tattvam yaj jnanam advayam brahmeti paramatmeti bhagavan iti sabdyate". The meaning of the verse is as follows: "Learned transcendentalists who know the Absolute Truth call this nondual substance Brahman, Paramatma and Bhagavan.
- aiśvaryasya samagrasya vīryasya yaśasaḥ śriyaḥ
- jñāna-vairāgyayoś caiva ṣannāḥ bhaga itīṇganā
- jñāna-śakti-balaiśvarya-vīrya-tejām.sy aśeṣataḥ
- bhagavac-chabda-vācyāni vinā heyair guṇādibhiḥ
- "The substantives of the word bhagavat (bhagavat-śabda-vācyāni) are unlimited (aśes.atah.) knowledge (jñāna), energies (śakti), strength (bala), opulence (aiśvarya), heroism (vīrya), splendor (tejas), without (vinā) objectionable (heyair) qualities (guṇādibhiḥ)."
Vishnu possesses six such divine glories, namely,
- Jñāna Omniscient; defined as the power to know about all beings simultaneously;
- Aishvarya Opulence, which persists in unchallenged rule over all;
- Shakti Energy, or power, which is the capacity to make the impossible possible;
- Bala Strength, which is the capacity to support everything by his will and without any fatigue;
- Virya Vigour, or valour which indicates the power to retain immateriality as the Supreme Spirit or Being in spite of being the material cause of mutable creations;
- Tèjas Resplendent, or Splendour, which expresses his self-sufficiency and the capacity to overpower everything by his spiritual effulgence; cited from Bhakti Schools of Vedanta, by Swami Tapasyananda.
However, the actual number of auspicious qualities of Vishnu is countless, with the above-mentioned six qualities being the most important. Other important qualities attributed to Vishnu are Gambhirya (inestimatable grandeur), Audarya (generosity), and Karunya (compassion). Natya Shastra lists Vishnu as the presiding deity of the Sringara rasa.
The Rigveda says: Vishnu can travel in three strides. The first stride is the Earth. The second stride is the visible sky. The third stride cannot be seen by men and is the heaven where the gods and the righteous dead live. (This feature of three strides also appears in the story of his avatar Vamana called Trivikrama.) The Sanskrit for "to stride" is the root kram; its reduplicated perfect is chakram (guņa grade) or chakra (zero-grade), and in the Rigveda he is called by epithets such as vi-chakra-māņas = "he who has made 3 strides". The Sanskrit word chakra also means "wheel". That may have suggested the idea of Vishnu carrying a chakra.
In Sri Vaishnavism, another school, Vishnu assumes five forms:
- In the Para Form, Para is the highest form of Vishnu found only in Sri Vaikunta also called Moksha, along with his consort Lakshmi, (and Bhuma Devi and Nila devi, avatars of Lakshmi) and surrounded by liberated souls like Ananta, Garuda, and a host of Muktas (liberated souls).
- In the Vyuha form which itself divides into four, Vishnu assumes four forms, which exercise different cosmic functions and controls activities of living beings.
- In the Vibhava form, Vishnu assume various manifestations, called Vibhavas, more popularly known as Avataras from time to time, in order to protect the virtuous, punish the evil-doers and re-establish righteousness.
- In the Antaryami; "Dwelling within" or "Suksma Vasudeva" form, Vishnu exists within the souls of all living beings and in every atom of matter.
- In the Arcavatara or Image manifestation, the Lord is easily approachable to the devotees since they cannot worship Para, Vyuha, Vibhava and Antaryami forms directly, which can only be imagined or meditated upon because they are beyond our reach. Such images can be
- revealed by the Lord himself, for example, a self-manifested (Swayambhu) icon (murti), e.g. The Mahavishnu Temple at Tirunelli, The Sri Ranganathaswamy Temple at Srirangam, The Tirumala Venkateswara Temple etc.; or
- installed by devas or celestial beings such as The Guruvayur Temple installed by Vayu; or
- installed by humans, and consecrated according to Vaishnava Agama shastras or scriptures such as Lord Jagannath of Jagannath Temple (Puri) at Puri.
See also Pañcaratra
Relation with Shiva
During the Vedic period, both Vishnu and Shiva (as identified with Rudra) played relatively minor roles, but by the time of the Brahmanas (c. 1000-700 BCE), both were gaining ascendance. By the Puranic period, both deities had major sects that competed with one another for devotees. Many stories developed showing different types of relationships between these two important deities.
Sectarian groups each presented their own preferred deity as supreme. Vishnu in his myths "becomes" Shiva. The Vishnu Purana (4th c. CE) shows Vishnu awakening and becoming both Brahmā to create the world and Shiva to destroy it. Shiva also is viewed as a manifestation of Vishnu in the Bhagavata Purana. In Shaivite myths, on the other hand, Shiva comes to the fore and acts independently and alone to create, preserve, and destroy the world. In one Shaivite myth of the origin of the lingam, both Vishnu and Brahmā are revealed as emanations from Shiva's manifestation as a towering pillar of flame. The Śatarudrīya, a Shaivite hymn, says that Shiva is "of the form of Vishnu". Differences in viewpoints between the two sects are apparent in the story of Śarabha (also spelled "Sharabha"), the name of Shiva's incarnation in the composite form of man, bird, and beast. Shiva assumed that unusual form to chastise Vishnu in his hybrid form as Narasimha, the man-lion, who killed Hiranyakashipu, an ardent devotee of Shiva. However, Vaishnava followers including Dvaita scholars, such as Vijayindra Tirtha (1539–95) dispute this view of Narasimha based on their reading of Sattvika Puranas and Śruti texts. On the other hand, the Vaishnava canon and texts also make a pointed reference not only to Lord Vishnu's entity as being separate from the other Vishnu namely the Sun God Suryanarayana, they also give pride of place among Gods or deities considered fit for worshipping, namely Brahma the creator and Shiva the destroyer. These canons specifically point out to Vishnu or Narayana's prominence by making him the only deity taking incarnations to come to earth and free or save his devotees and other good beings suffering at the hands of the asuras or evil-beings who have gotten ill-gotten strength, power and invincibility merely by worshipping Brahma or Shiva and getting boons from them in the process. As per the Vaishnava canons, while regarding both the creator Brahma and the destroyer Shiva as powerful, their granting boons to evil beings renders them powerless to punish because it is their boons or varams that made evil beings like Hiranyakashipu, Hiranyaksha, Ravana very powerful, enabling them to win wars against the Devas or celestial beings led by Indra and causing sufferings to good beings like the sages and other God-fearing humans on earth. So all beings whether the Devas or ordinary humans have no option but to pray and plead before Lord Vishnu or Sreeman Narayana to save them from the asuras. As per the Vaishnava canons, even Brahma the creator and Shiva the destroyer, join the devas in exhorting and persuading Sreeman Narayana or Lord Vishnu to take incarnations, go to earth for confronting and killing the very asuras or demons or evil-beings, to whom they themselves have granted boons. Not just this, but both the creator Brahma and Shiva the destroyer also play supportive roles by keeping company of Lord Vishnu in his incarnated forms. Hanuman half human and half-animal and completely dedicated to Ram who gives him company and obeys his command while playing an important part in Ram's life is regarded in Vaishnava canon as being none other than Shiva the destroyer only, because it is through the blessings of Shiva that Hanuman is born to his mother Anjani for he also bears the name Anjaniputra.
Syncretic forces produced stories in which the two deities were shown in cooperative relationships and combined forms. Harihara is the name of a combined deity form of both Vishnu (Hari) and Shiva (Hara). This dual form, which is also called Harirudra, is mentioned in the Mahabharata.
The complimentary relationship between Shiva and Narayana or Vishnu is emphasized both in the Vaishnava canon as well as in Shaivite texts through the story behind the Lord Ranganatha temple in Srirangam. Vibhishana, the brother of Ravana is made the king of Lanka by Lord Ram after which Lord Ram goes to Ayodhya where he becomes King after a coronation ceremony. This ceremony is attended among others by Vibhishana, who is sad at having parted company with Lord Ram. Valuing Vibhishana's friendship, Lord Ram gives him the idol of his family deity of Lord Ranganatha for being taken to Lanka and being worshipped by Vibhishana in remembrance of Lord Ram. Lord Ram (in a manner reminiscent of the condition on Ravana for not putting on ground the Shiva Linga) puts a condition before Vibhishana that he must not put the idol of Lord Ranganatha on the ground more than thrice during his journey to Lanka. Vibhishana is very steadfast and reaches Srirangam and he has kept the idol of Lord Ranganatha thrice and is confident of reaching his kingdom Lanka without keeping the idol on the ground.
Srirangam is in Tiruchirappalli, where the temple of Lord Ganesha or Vinayaka, son of Lord Shiva is located. The temple of Lord Ranganatha is regarded as the first or most important among the 108 Divya Desams or temples of Vishnu as per the Vaishnava canon. Shiva is worried about Lord Ranganatha, who is none other than Sreeman Narayana or Vishnu, leaving the shores of Bharata or India. He asks his son Vinayaka or Lord Ganesha to do something that will prevent Lord Ranganatha from going to Lanka. Ganesha approaches Vibhishana who is on the banks of river Kaveri and wishes to bath and perform his worship. But he cannot do so with the idol of Lord Ranganatha being in his hands. Seeing Ganesha in the disguise of a small boy near him, Vibhishana asks the boy to hold the idol of Lord Ranganatha in his hands and also instructs him firmly not to keep the idol on the ground (which he cannot lift again in case it is kept on the ground). Ganesha is looking exactly for this opportunity and the moment Vibhishana steps into the river and starts his worship, Ganesha promptly keeps the idol of Lord Ranganatha on the ground which gets planted firmly (around which the temple of Lord Ranganatha got constructed).
Vibhishana after finishing his bathing and worship comes out of the river to find the idol of Lord Ranganatha planted on the ground and is unable to lift it. He finds Ganesha in the guise of a small boy, still gleefully standing near the idol. Vibhishana is very upset and he chases Ganesha who runs to the top of a very old mountain and hides in a small cave. Vibhishana chases him, only to find and realize, that it is none other than Lord Vinayaka at Malaikottai or the Rockfort Ucchi Pillayar Temple in Tiruchirappalli, who took human form to prevent Vibhishana from carrying the idol of Lord Ranganatha with him to Lanka This episode is prominently quoted in the Vaishnava canon to emphasize the non-adversarial relationship between Vishnu or Narayana and Shiva.
An example of a collaboration story is one given to explain Shiva's epithet Mahābaleśvara, "lord of great strength" (Maha = "great", Bala = "strength", Īśvara = "lord"). This name refers to a story in which Rāvaṇa was given a linga as a boon by Shiva on the condition that he carry it always. During his travels, he stopped near the present Deoghar in Jharkhand to purify himself and asked Narada, a devotee of Vishnu in the guise of a Brahmin, to hold the linga for him, but after some time, Narada put it down on the ground and vanished. When Ravana returned, he could not move the linga, and it is said to remain there ever since. The story of Gokarna in Karnataka is also similar in that Ravana, on the way to Lanka from Kailasa, gave the lingam to Ganesha to keep until he bathes, but Ganesha fits it in the earth, so the lingam is called Mahabaleshwara.
Relations with other deities
| This section does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2009)
Vishnu's consort is Lakshmi, the goddess of wealth. Maya is the samvit (the primary intelligence) of Vishnu, while the other five attributes emerge from this samvit and hence Maya is his ahamata, activity, or Vishnu's Power. This power of God, Maya or Shakti, is personified and is called Shri or Lakshmi, Maya, Vishnumaya, or Mahamaya, and She is said to manifest Herself in, 1) kriyāshakti, (Creative Activity) and 2) bhütishakti (Creation) of Universe. Hence this world cannot part with his creativity i.e., ahamta, which is a feminine form which in its feminine form is called Shri or Lakshmi or Maya. He therefore needs consort Goddess Lakshmi to be with Him always, untouched by any. Thus goddess Lakshmi has to accompany Vishnu in all His incarnations.
Vishnu is also associated with Bhudevi or Prithvi, the earth goddess; Tulsi; Ganga, goddess of river Ganges and also Saraswati, goddess of learning. In the Brahma Vaivarta Purana, verses 2.6.13-95 it is described that Vishnu has three wives, who constantly quarrel with each other, so that eventually, he keeps only Lakshmi, giving Ganga to Shiva and Saraswati to Brahma.
Vishnu's vehicle is Garuda, the eagle, and he is commonly depicted as riding on his shoulders. Another name of him is "Veda-Atma" or The Soul of the Vedas and Vedic truth.
As Guru Kshethram, the guru of the devas, he is the arch-enemy of Shukra, the guru of the Asuras.
| This section does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2009)
- He is to be depicted as a four-armed male-form: The four arms indicate his all-powerful and all-pervasive nature. The physical existence of Vishnu is represented by the two arms in the front while the two arms at the back represent his presence in the spiritual world. The Upanishad titled Gopal Uttartapani describes the four arms of Vishnu.
- The color of his skin has to be new-cloud-like-blue: The blue color indicates his all-pervasive nature, blue being the color of the infinite space as well as the infinite ocean on which he resides.
- He has the mark of sage Bhrigu's feet on his chest.
- Also on his chest is the srivatsa mark, symbolising his consort Lakshmi. It is on the chest of Vishnu, where Lakshmi resides.
- Around his neck, he wears the auspicious "Kaustubha" jewel, and a garland of flowers (vanamaalaa). It is in this jewel, on Vishnu's chest that Lakshmi dwells.
- A crown should adorn his head: The crown symbolizes his supreme authority. This crown is sometimes depicted having a peacock feather, borrowing the iconography from image of his Krishna avataar.
- He is to shown wearing two earrings: The earrings represent inherent opposites in creation — knowledge and ignorance; happiness and unhappiness; pleasure and pain.
- He rests on Ananta: the immortal and infinite snake
Vishnu is always to be depicted holding the four attributes associated with him, being:
- A conch shell or Shankha, named "Panchajanya", held by the upper left hand, which represents Vishnu's power to create and maintain the universe. The Panchajanya represents the five elements or Panchabhoota - water, fire, air, earth and sky or space. It also represents the five airs or Pranas that are within the body and mind. The conch symbolizes that Vishnu is the primeval Divine sound of creation and universal maintenance. it also represented as Om. In the Bhagavad Gita, Krishna avatara states that of sound vibrations, 'He is Om'.
- The chakra, a sharp-spinning discus-like weapon, named "Sudarshana", held by the upper right hand, which symbolizes the purified spiritualized mind. The name Sudarshana is derived from two words - Su, which means good, superior, and Darshan, which means vision or Sight; together, it is "Superior Vision". The chakra represents destruction of one's ego in the awakening and realization of the souls original nature and god, burning away of spiritual ignorance and illusion, and developing the higher spiritual vision and insight to realize god.
- A mace or Gada, named "Kaumodaki", held by the lower left hand, symbolizes Vishnu's divine power is the source all spiritual, mental and physical strength. It also signifies Vishnu's power to destroy materialistic or demoniac tendencies called anarthas; within the person's consciousness that hinders them from reaching god. Vishnu's mace is the power of the Divine within us to spiritually purify and uplift us from our materialistic bonds.
- A lotus flower or Padma, held by the lower right hand, represents spiritual liberation, Divine perfection, purity and the unfolding of Spiritual consciousness within the individual. The lotus opening its petals in the light of the Sun is indicative of the expansion and awakening of our long dormant, original spiritual consciousness in the light of god. The lotus in Vishnu's hand symbolizes that god is the power and source from which the universe and the individual soul emerges. It also represents Divine Truth or Satya, the originator of the rules of conduct or Dharma, and Divine Vedic knowledge or jnana. The lotus also symbolizes that Vishnu is the embodiment of spiritual perfection and purity. Also that He is the wellspring of these qualities and that the individual soul must seek to awaken these intrinsic Divine qualities from Vishnu by surrendering to and linking with Him.
To this may be added, conventionally, the vanamaala flower garland and Vishnu's bow, the Shaarnga, and his sword Nandaka. A verse of the Vishnu Sahasranama stotram states;"vanamālī gadhī shārngī shanki chakri cha nandaki / shrīmān nārāyaņo vişņo vāsudevo abhirakşatu//"; translation: Protect us Oh Lord Narayana who wears the forest garland,who has the mace, conch , sword and the wheel. And who is called Vishnu and the Vasudeva.
In general, Vishnu is depicted in one of the following three ways:
- Standing upright on a lotus flower, often with Lakshmi, his consort, beside him on a similar pedestal;
- Reclining on the coiled-up thousand-hooded Shesha Naga, with his consort Lakshmi, seated at his feet; the assemblage rests on the "Kshira Sagar" (ocean of Milk). In this representation, Brahma is depicted as sitting on a lotus that grows out of Vishnu's navel.
- Riding on the back of his eagle mount, known as Garuda. Another name for Garuda is "Veda atma"; Soul of the Vedas. The flapping of his wings symbolizes the power of the Divine Truth of Vedic wisdom. Also the eagle represents the soul. Garuda carrying Vishnu symbolizes the soul or jiva atma carrying the Super soul or Param atma within it.
Reviewers linked the imagery of the blue-skinned Na'vi in James Cameron's Avatar film to Vishnu as one of their possible conceptual prototypes, and called his traditional depiction on Garuda "'Avatar' prequel".
The character of Doctor Manhattan in Alan Moore's Watchmen is very much like an incarnation of Vishnu, or perhaps a Vishnu/Kali amalgam. He can take a gigantic, huge form, literally striding across mountains. He perceives time differently than humans. He can destroy, shape, and many other seemingly supernatural powers. He is even depicted using four arms in one scene. He can be in many places at once. The hydrogen symbol he inscribes on his forehead further extends the metaphor - it can represent a wheel, or an eye (furthering the suggestion of Kali).
There are ten avatars of Vishnu (dashavatara) commonly considered as the most prominent:
- Matsya, the fish that kills Hayagriva and saves mankind.
- Kurma, the turtle that helps the Devas and Asuras churn the ocean for the nectar of immortality.
- Varaha, the boar that rescues the Earth and kills Hiranyaksha.
- Narasimha, the one (Lion) who defeats the demon Hiranyakashapu (Nhara = to assure the trouble, simha = takes control about).
- Vamana. the dwarf that grows into a giant to save the world from King Bali.
- Parashurama, A Sage, Rama with the axe, who appeared in the Treta Yuga.
- Rama, Sri Ramachandra, the prince and king of Ayodhya.
- Krishna (meaning 'dark coloured' or 'all attractive' or the Existence of Bliss,), appeared in the Dwapara Yuga along with his brother Balarama. Balarama is included as the eighth Dasavatara which list Krishna as the source of all avatars, svayam bhagavan (this viewpoint is specific to Bhagavata, Gaudiya, Vallabhacarya and Nimbarka sampradayas) .
- Buddha, the enlightened one. (See Gautama Buddha in Hinduism)
- Kalki ("Eternity", or "timeless",destroyer of time or "The Destroyer of foulness"), who is expected to appear at the end of Kali Yuga, the time period in which we currently exist.
Though Buddha is not widely accepted as an avatar(incarnation) of Vishnu, one point is to be noted that the belief in the concept of Dasavatar predates the birth of Buddha. Ancient temples carvings reveals the presence of another avatar(incarnation) in between Rama and Krishna, named Balaram, who, is the elder brother of Krishna. The role of Balarama is still uncertain. Some Buddhist Dalits maintain that the Buddha is not an incarnation of Vishnu, in order that they may purchase some level of existence outside the Hindu caste system.
Some versions of the above list include Hayagriva amongst the Dasavataras. Apart from the above-mentioned ten principal avatars, another 22 avatars are also given in Chapter 3, Canto 1 of the Bhagavata Purana. Following this list the Bhagavatam states that as well as these avatars "the incarnations of the Lord are innumerable, like rivulets flowing from inexhaustible sources of water".
Thousand names of Vishnu
| This section does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2009)
Vishnu has a very large number of names and followers that are collected in the Vishnu sahasranama ("Vishnu's thousand names") from within the larger work Mahabharata. The character Bhishma recites the names before Krishna on the battlefield of Kurukshetra, praising him (Vishnu) as the supreme god. These Sahasranama are regarded as the essence of all Vedas by followers of Vaishnavism, who believe sincere chanting of Vishnu Sahasranama results in spiritual well-being and a greater awareness of God.
The names are generally derived from the anantakalyanagunas (meaning: infinite auspicious attributes). Some names are:
- Achintaya (Incomprehensible, beyond understanding, also interpreted as remover of all worries from devotees)
- Acyutah (infallible)
- Ananta (endless, eternal, infinite)
- Balaji (another name of Vishnu)
- Damodara (having a rope (dama) around his belly (udara): a name of Krishna)
- Govinda (protector of the cows & Brahmins; master of the senses: a name of Krishna)
- Hari (one who takes away)
- Hayagriva (Horse-necked)
- Jagannatha (Owner/Ruler of the world/universe)
- Janardana (One who is worshiped by people for Wealth)
- Keshava (slayer of Keshi, having long or much or handsome hair, from Atharvaveda viii, 6, 23)
- Krishna (born during the third epoch or yuga, his deeds range from cow protection (go rakshya) to absolving the earth of load of sins)
- Madhava (relating to the season of spring)
- Madhusudana (he who destroyed the demon called Madhu)
- Narayana (said to mean "he who is the abode of nār (= ether)", i.e., the whole universe's shelter. Also means "The supreme Man who is the foundation of all men". Another meaning is "He who lays in the water".
- Padmanabha (lotus-naveled one, from whose navel sprang the lotus which contained Brahma, who created the universe)
- Perumal Name he is known in Tamil
- Purushottama - The Supreme Eternal Being
- Ram (born during the second epoch or Yuga, his deeds primarily established the ideal living principles for a man)
- Hrishikesh (Lord of the senses or Lord within the heart; "hri" root meaning the heart)
- Satyanarayana (a combination of satya and Narayana meaning 'protector of truth')
- Shikhandee: He who wears a peacock feather.
- Suryanarayan (the one who destroys the evil/sins and who comforts us) described in Vishnu kautuvam.
- Sridhara (consort of Sri = Laxmi or Ultimate wealth)
- Siddhartha (one who attains perfection, birth name of Buddha avatar in the last epoch of Kali Yuga)
- Sriman (the pride of Shri or Lakshmi); Often Sriman is combined with the name, Narayana, to form a compound word, Sriman Narayana.
- Srinivasa (the abode of Shri) (also specifically referring to his form in the temple at Tirupati). Also the form of Vishnu at Tirupati is well known as Venkateswara.
- Trivikrama (Conqueror of the three worlds, as in Vamana avatara).
- Vishal (Immense, The Unstoppable One).
- Vamana (dwarfish, small or short in stature, a dwarf brahmana)
- Vāsudeva ( "All-Pervading god", with the long vowel A; it also means "the son of Vasudeva", i.e. Krishna)
- Shree-esh (One who has Shree or Lakshmi as his consort / Husband of Goddess Lakshmi).
- Guruvayurappan Lord of Guruvayur (Temple made by Guru (Brihaspati) & Vayu deva)
- Jagannath is the south eastern name of Vishnu. The word juggernaut has its origin from this name of Vishnu (The Jagannatha temple is in Puri, Orissa where every year there is a festival in which huge chariots are drawn through the city. These chariots are the vahana (vehicle) for the 3 main gods of this temple - Jagannatha, Balarama (Jagannath's brother) and Subhadra (Jagannatha's sister). Hundreds of men are needed to pull each of these chariots. When they start moving, they keep moving and are difficult to stop. That is the idea behind the word juggernaut which means something huge that cannot be stopped.)
- Sohama means the most intelligent, it is strongest form of Vishnu with a thousand brains and hands
According to the Siddhartha-samhita there are twenty-four forms of Lord Vishnu. The twenty-four forms are
- The Sri Vaishnava Brahmans, K. Rangachari (1931)p. 2
- Sri Vishnu Sahasaranama - Transliteration and Translation of Chanting
- Prabhupada, AC Bhaktivedanta. "Bhagavad-gita As It Is Chapter 11 Verse 3". vedabase.net. http://vedabase.net/bg/11/3/en1. Retrieved 2008-05-10. "see the cosmic manifestation"
- Bhagavad Gita 4.7 "...at that time I descend Myself"
- Matchett, Freda (2000). Krsna, Lord or Avatara? the relationship between Krsna and Visnu: in the context of the Avatara myth as presented by the Harivamsa, the Visnupurana and the Bhagavatapurana. Surrey: Routledge. pp. 254. ISBN 0-7007-1281-X. p. 4
- For quotation defining the trimurti see Matchett, Freda. "The Purāṇas", in: Flood (2003), p. 139.
- For the Trimurti system having Brahma as the creator, Vishnu as the maintainer or preserver, and Shiva as the transformer or destroyer see: Zimmer (1972) p. 124.
- For definition of trimurti as "the unified form" of Brahmā, Viṣṇu and Śiva and use of the phrase "the Hindu triad" see: Apte, p. 485.
- For the term "Great Trinity" in relation to the Trimurti see: Jansen, p. 83.
- Manfred Mayrhofer, Etymologisches Wörterbuch des Altindoarischen.
- Swami Chinmayananda's translation of Vishnu sahasranama pgs. 16-17, Central Chinmaya Mission Trust.
- Tapasyananda (1991). Bhakti Schools of Vedānta. Madras: Sri Ramakrishna Math. ISBN 8171202268. http://books.google.com/books?id=Q_VtAAAACAAJ.
- Page 98, ORIGINAL SANSKRIT TEXTS,Origin and History of people of India,VOL-IV, J.Muir,second ed.
- Page 97, ORIGINAL SANSKRIT TEXTS,Origin and History of people of India,VOL-IV, J.Muir,second ed.
- Aspects of early Visnuism, pg. 32, by Jon Gonda at http://books.google.com/books?id=b8urRsuUJ9oC&pg=PA156&dq=indra+superior+vishnu&lr=&cd=40#v=onepage&q=indra%20superior%20vishnu&f=false
- Nilakanta Sastri, K.A. (1980). Advanced History of India, Allied Publishers, New Delhi.
- Atman in pre-Upanishadic Vedic Literature, pg. 85 at http://books.google.com/books?id=2X2q0e-dkwMC&pg=PA84&dq=indra+vishnu+vedas&lr=&cd=190#v=onepage&q=&f=false
- Atman in pre-Upanishadic Vedic Literature, pg. 86 at http://books.google.com/books?id=2X2q0e-dkwMC&pg=PA84&dq=indra+vishnu+vedas&lr=&cd=190#v=onepage&q=&f=false
- page 1 foot note 1, Aitareya Brahmana , By Martin Haug, SUDHINDRA NATH VASU, M. B., AT THE PANINI OFFICE, BAHADURGANJ, ALLAHABAD.,1922.
- page 533, History of Ancient Sanskrit Literature by Prof Max muller. Printed by Spottiwoode and Co. New-Street Square London.
- Gupta, Ravi M. (2004). Caitanya Vaisnava Vedanta: Acintyabhedabheda in Jiva Gosvami's Catursutri tika. University Of Oxford.
- Gupta, Ravi M. (2007). Caitanya Vaisnava Vedanta of Jiva Gosvami's Catursutri tika. Routledge. ISBN 0415405483.
- http://www.vedabase.net/bg/9/18/en1 .. the basis of everything, ..the eternal seed
- http://www.vedabase.net/bg/10/42/en1 ..I pervade the entire universe
- http://www.vedabase.net/bg/11/12/en1 ..effulgence of the Supreme Person..
- http://www.vedabase.net/bg/18/66/en1 ..surrender unto Me..
- Olivelle 2007: 149-150.
- Lariviere 1989: xxiii
- Bhagavata Purana 1.2.11
- SrimAn nArAyaNa
- "SRIVAISHNAVISM — A CONSCISE STUDY — PART III". http://www.srivaishnavan.com/tomcat/srivaish3.html.
- For relatively minor position in Vedic times, and rise in progress by 1000-700 BCE see: Zimmer (1946), p. 125, note 2.
- For the rise in popularity of Shiva and Vishnu, and the role of Puranas in promoting sectarian positions, see: Flood (1996), pp. 110-111.
- For Visnu becoming Shiva in Vaishnava myths, see: Zimmer (1946), p. 125.
- For Vishnu Purana dating of 4th c. CE and role of Vishnu as supreme deity, see: Flood (1996), p. 111.
- For identification of Shiva as a manifestation of Vishnu see: Bhagavata Purana 4.30.23, 5.17.22-23, 10.14.19.
- For predominant role of Shiva in some myths, see: Zimmer (1946), p. 128.
- For the lingodbhava myth, and Vishnu and Brahmā as emanations of Shiva, see: Zimmer (1946), pp. 128-129.
- For translation of the epithet शिपिविष्ट (IAST: śipiviṣṭa) as "salutation to him of the form of Vishṇu" included in the fifth anuvāka, and comment that this epithet "links Śiva with Vishṇu" see: Sivaramamurti, pp. 21, 64.
- For Śarabha as an "animal symplegma" form of Shiva, see: Kramrisch, p. 481.
- For incarnation in composite form as man, bird, and beast to chastise Narasimha, see: Chakravarti, p. 49.
- Sharma, B. N. Krishnamurti (2000). A history of the Dvaita school of Vedānta and its literature: from the earliest beginnings to our own times. Motilal Banarsidass Publ.. pp. 412. ISBN 9788120815759. http://books.google.com/books?id=FVtpFMPMulcC&pg=PA412&.
- Nilakanta Sastri, K.A. (1977) Reprint 1980, Advanced History of India, Allied Publishers, New Delhi.
- Chakravarti, pp. 54-55.
- For Harirudra citation to Mbh. III.39.76f see: Hopkins (1969), p. 221.
- For the story of Rāvaṇa and the Mahābaleśvara linga see: Chakravarti, p. 168.
- Dallapiccola, Anna L. Dictionary of Hindu Lore and Legend Thames & Hudson, London, ISBN 0-500-51088-1
- Goodyear, Dana (October 26, 2009). "MAN OF EXTREMES: The return of James Cameron". The New Yorker. http://www.newyorker.com/reporting/2009/10/26/091026fa_fact_goodyear. Retrieved February 13, 2010.
- Wadhwani, Sita (December 24, 2009). "The religious backdrop to James Cameron's 'Avatar'". CNN Mumbai. Cable News Network Turner Broadcasting System, Inc. http://www.cnngo.com/mumbai/play/avatar-hindu-perspective-961455. Retrieved January 18, 2010.
- French, Zenaida B. (March 1, 2010). "Two Critiques: ‘Avatar’ vis-à-vis ‘Cinema Paradiso’". The News Today. http://www.thenewstoday.info/2010/03/01/two.critiques.avatar.vis.a.vis.cinema.paradiso.html. Retrieved March 5, 2010.
- Hunt, Tam (January 16, 2010). "‘Avatar,’ blue skin and the ground of being". NoozHawk. http://www.noozhawk.com/local_news/article/011610_tam_hunt/. Retrieved March 5, 2010.
- Gereben, Janos (February 15, 2009). "Avatar, the prequel, at the Asian Art Museum". San Francisco Examiner. http://www.sfexaminer.com/entertainment/Avatar-the-prequel-at-the-Asian-Art-Museum--84402267.html. Retrieved February 17, 2010.
- Garuda Purana Texts 1.86.10-11
- Vishnu sahasranama, Sankara's interpretation of the 57th name, Swami Tapasyananda's translation, pg. 51.
- Dasavatara Page (salagram.net)
- Bhagvata Purana, 1.3.26
- Translation by Richard W. Lariviere (1989). The Nāradasmr̥ti. University of Philadelphia.
- Patrick Olivelle. "The Date and Provenance of the Viṣṇnu Smṛti." Indologica Taurinensia, 33 (2007): 149-163.
|Wikimedia Commons has media related to: Vishnu|
- Avatars or Incarnations of Lord Vishnu
- Vishnu, the god of Preservation, by Dr. C.P.Ramaswami Aiyar
- BBC Religion & Ethics - Who is Vishnu (bbc.co.uk)
|This Creative Commons Licensed page uses content from Wikipedia (view authors). The text of Wikipedia is available under the license Attribution-Share Alike 3.0 Unported (ToU).|